Tuesday, June 10, 2014

The Four Principles of Visual Storytelling Every Marketer Needs to Know

The Four Principles of Visual Storytelling Every Marketer Needs to Know

 Lessons from Dove, Lean In, Honey Maid 
  • June 10, 2014, 8:34 AM EDT
  • Sponsored
We’ve all witnessed the power that images have on social media, and research shows that over 40 percent of users are more likely to engage with brands that post pictures. As a result, today’s marketers are learning to be sophisticated visual thinkers.
NewsCred and Getty Images teamed up to create “The Power of Visual Storytelling,” a guide for marketers that outlines four main principles of visual media—authenticity, sensory, archetype, relevancy. Each principle is illustrated by a brand case study explaining how companies including Dove and Lean In have put these principles to use, complete with lessons and takeaways.
We've put together an overview of these four principles and case studies below. You can also get the full text of the guide here:

1. Authenticity: Dove shows the meaning of real beauty
In the age of the selfie, people want something that speaks to them personally—real, candid moments from everyday life. Authentic marketing taps into the passions and emotions of an audience, turning them into eager creatives and advocates of the story you’re trying to tell. Also, users clicking on photos of real-life people are twice as likely to convert to a sale. Few brands have been able to master the art of authenticity like Dove. What started with a simple bar of soap has transformed into a brand bent on revolutionizing the way women perceive beauty and themselves. Learn more about Dove’s use of authenticity.
 

2. Sensory: Squarespace creates images people can touch
We live in an age of information overload, yet our senses still yearn for stimulation. When we feel fascinated and inspired, we want to share the feeling with others. The website-building platform Squarespace does a fantastic job at engaging all the senses in its new campaign, titled “Details.” A video features tactile close-ups and stunning sound bytes of scenes of water flowing over purple cauliflower, mascara-clad batting eyelashes, and reverberating bass strings. The viewer is shown how gorgeous it all looks on each separate Squarespace site. Check out the ways that Squarespace creates great visual ads.
 

3. Archetype: Lean In transforms the possibilities for modern women
Archetypes have been used as the main elements of storytelling since the beginning of civilization. Through understanding the archetypal stories that shape our culture and values, brands can create more engaging content and better connect with their audiences. The Lean In movement is making serious waves when it comes to constructing the image of the modern woman. Partnering with Getty Images, LeanIn.org aims to create a library of images that empower women to take on the future at their fullest potential, instead of using visuals to assign them the same roles they’ve had to play for centuries. Explore the ways that Lean In uses archetypes in its content.
 

4. Relevancy: Honey Maid celebrates the contemporary family
We happen to be living through one of the most exciting eras of history, and nothing reminds us more of this than a powerful visual. That’s why it’s vital to stay ahead of the crowd by delivering localized content in real-time. Take Honey Maid’s most recent campaign, for instance. The once old-fashioned graham cracker brand succeeded in placing itself at the forefront of one of the country’s most compelling topics: the evolving definition of family. See how Honey Maid creates relevant content with images and artwork.
How can incorporating these four visual storytelling techniques create an emotional and visceral connection between your brand and your audience? To learn more read “The Power of Visual Storytelling”: 

Monday, June 9, 2014

Emotion: you’re doing it wrong

Emotion: you’re doing it wrong

By Paul Reilly
I am hearing and reading more references to a pseudo-objective type of ad people (clients and agencies) are calling “create an emotional connection with consumers.”
(As an aside, let’s be frank: when we call people “consumers” the chances of creating an emotional connection are pretty slim. By that isn’t what’s bothering me.)
My concern is we are talking about creating an emotional connection as if it is an objective – or even a strategy.
It’s neither. At best it’s a reminder of a basic tenet of advertising. At worst, and more frequently, it’s a euphemism for “we have no news, no product superiority, so instead of talking about tangible benefits, we’ll be emotional.”
It’s laziness on the part of strategists and brand managers to believe they’ve done their part by providing this as direction. It’s not a strategy; it’s an advertising style that includes a huge range of possibilities. I work with some of the most talented creatives in Canada but I wouldn’t expect them to create a campaign from such paltry input.
It’s not that I am advocating for rational advertising all the time. Far from it. What we should really be aspiring to is brand differentiation. And being emotional isn’t enough to achieve it.
We should make a choice about how we want to shift brand perceptions and tap into what emotion we could trigger that would best achieve that goal. We must think about which emotion we want people to feel. Confidence? Nostalgia?Reassurance that things will turn out alright? Dissonance that you haven’t done enough? Hope that you can achieve something you care about? The choice depends on the brand’s situation.
We often cite the “Dove Campaign for Real Beauty” as an example of an emotional campaign. But we have to remember Dove didn’t just cut out talk of ingredients; it took on a valid social issue in an unexpected way. It didn’t simply declare its belief in self-confidence – it created a conversation about image manipulation and body perceptions in media. It was emotional because it was relevant and important and, at the time, not talked about much – and certainly not by a brand.  Women’s increasing uneasiness with how they were portrayed in advertising was a known issue, and Dove came at it in an original and entertaining way. It may have started with the obvious proposition of “Dove gives you the self-confidence you need to do your best” or some such thing. Ogilvy took it much farther than the expected heartwarming spot.
There are lots of examples of brands using a real issue to create an emotional response. Molson’s famous rant wasn’t just about Canada’s attributes, but about our resentment of being overlooked.
Of course brands have more options than addressing social issues to engage emotions. Dos Equis created an awesome spokesman who simultaneously personified and satirized the traditional avatar of the sophisticated man. It differentiated itself by going against the grain – tapping into the Esquire definition of the ideal man versus the Maxim version usually used in beer advertising. The emotion it wanted to incite: feeling sophisticated enough to enjoy the joke.
Interestingly, in none of these examples was the brand “central to the story.” That’s often the second requirement of the “emotional connection” directive. This combo is more likely to result in invisible slice o’ life advertising. Even Pampers would be hard-pressed to show those magical moments with your adorable baby are only magical because his shit isn’t leaking out all over your skinny jeans. More often than not, the emotional and brand-centred combo results in an ad that portrays an emotional moment for the viewer to watch but doesn’t stir an emotion in the viewer. It can be done but it’s hard to do well.
I don’t think “You’re not you when you’re hungry” started with the directive to create an emotional connection while eating a Snickers. No, it was a directive to portray that insight in an entertaining way. They chose humour through surprise as the vehicle. I guess they could have created an ad with a kid coping better at his dad’s funeral by eating a Snickers bar if they’d really wanted to “be emotional.” It might not have had the same result as slamming Betty White into the dirt.
Emotion is always an element of the creative strategy – whether it’s surprise or joy or sympathy, etc.  But those emotions are a tool to have people think differently about your brand. They’re not an objective.


Read more: http://strategyonline.ca/2014/06/06/youre-doing-emotion-wrong/#ixzz34ANOYHX8

Sunday, June 8, 2014

Key Takeaways From the Business Marketing Show: Change, Disrupt and Take Risks

Key Takeaways From the Business Marketing Show: Change, Disrupt and Take Risks

Last week's BMA14, the annual conference of the Business Marketing Association, featured useful presentations about b-to-b marketing, business growth and storytelling. Here are just a few highlights from the conference, addressing how marketers targeting businesses can better position their brands in today's markets.
1. Don't use yesterday's playbook to define tomorrow.The key to being different and continuing success in markets is to constantly change. This means innovating, reconstructing and rethinking ideas. Build on previous successful strategies so those can become even more effective, and challenge yourself to disrupt the patterns of the past to differentiate your material for clients.
2. Disruption should be relevant and unexpected, but not loud. Disrupting a market doesn't need to be loud and obvious -- it needs to be relevant to your target audience and unexpected. It should give a new lens and insight for the client to rethink the product. Disruption should respect the target audience while continuing to expand the brand and brand values. Disruption should be personal and aim to give people what they want.
3. Use snackable bites. Think about your target audience and give them what they want. Don't bog them down with long pages of words and tons of information. Use small phrases and key terms as "snackable bites," which are more digestible for your audience. Let these bites facilitate the audience's engagement with the information and entice them to read further.
4. Push the envelope. The biggest benefit of disruption is differentiation. Creating something unique and effective by disrupting current standards will pay off. Don't be afraid to take risks and challenge yourself; the best disruption often starts out as an unpopular idea. Continue to develop your brand by pushing the envelope and trying new things.
5. Go mobile. Today is the best time to be marketing because businesses have the capability to be in the right place at the right time -- in people's pockets. With the rapid technological advancements with mobile devices, people are now spending more time on their mobiles than anywhere else. This means incorporating mobile development into marketing because that is where the customers are. However, just because people are on their mobile does not mean they want your message. Targeting a specific audience is the key to being successful with a mobile marketing plan.
6. Quality is paramount. People carry mobile devices almost everywhere, making them a great way to connect with the clients and gain feedback. Ratings and comments are crucial to business because they can show your company exactly how you should improve, what is working and what isn't. This facilitates a speedy turnover of information, pushes constant innovation and allows you to represent your brand well. Use the consumer's feedback to increase the quality of your product and allow for changes and development in the brand. Constantly look for ways to continue to redevelop the product for better quality and service.
7. "Respectation." The idea of respectation is to respect the expectations of your client. Understand their needs, concerns and values so you can give them the best product and most satisfaction. Remember that price is what you pay but value is what you get. Consumers return to your brand for the experience and service you provide them, rather than cheap prices. Make an experience different and unique in order to keep clients returning for business. Define the brand value that best exemplifies the needs of the consumer.
8. Count Numbers and Emotions. In marketing, there is an emphasis on numbers and data, which is important for business but it isn't necessarily the most important thing. Don't discount the emotion of marketing and the importance of customer experience. Being focused on the metrics may cause you to miss the emotional impacts of your product and the emotions are what draw people in and keep them with the company. Phil Clement (CMO of Aon) discussed how cognitive science is driving modern marketing research, which means marketing needs to appeal to both the head and the heart. Things that touch the head and the heart are the things that stick. Build two marketing plans: a qualitative, articulate marketing plan and a back-pocket emotional plan.

Tuesday, June 3, 2014

Will Americans Embrace Cute Messaging Stickers? Big-Time, Says Hot Japanese App

Will Americans Embrace Cute Messaging Stickers? Big-Time, Says Hot Japanese App

The App, Line, Is Quickly Spreading Internationally, and More Than 10 Million People Already Use It In the U.S.

By Published on 0
Japan's Line: Stickers aren't just for kids
Japan's Line: Stickers aren't just for kids

Outside Asia, some might snicker at stickers for grown-ups; meanwhile, Line is laughing its way to the bank. While bigger competitor WhatsApp isn't focusing on monetization, Line had more revenue last year than any other app worldwide on iOS and
 Google Play, according to App Annie.On Japan's popular mobile messaging app Line, cute stickers are a common way of communicating, and brands are having fun making them. So in Japan, a friend might invite you out by sending an icon of a teddy bear touting Pepsiand snacks. During the holidays, people shared KFC Christmas stickers featuring Colonel Sanders (he's not Santa obviously, but maybe it's a white beard thing.)
Like Chinese rival WeChat, it's expanding beyond Asia, but WeChat hasn't released a breakdown of where users are based. Meanwhile, Line says 85% of its users are outside its home base of Japan. It's biggest in Asia, but it's also made strong pushes into Spain and Mexico.
Already Targeting U.S. Hispanics
Now, Line is using its base in Latin America as a gateway into the United States. In March, it ran commercials targeted at Hispanic viewers in both Spanish and English on networks including Telemundo and Univision. (See commercial below). Line – which offers free voice and video calls, as well as group or one-on-one sharing of text, photos and stickers – has extra money-saving appeal for people whose communications cross national borders.
"We think building a presence in Mexico or Latin America is a very good step in North America markets," said Shintaro Tabata, senior executive officer and head of corporate sales for Line Corp.
Line provides few details about its strategy in the U.S., though it has 10 million users there, out of its global base of 420 million. (It's hard to compare Line's popularity with other messaging services, since it doesn't break out the number of active users. But in the battle to control the world's smartphones, it's assumed Line comes in behind WhatsApp, with 500 million active users, and WeChat, which claims 396 million monthly active users.)
So: Could Line's signature feature -- its cute stickers, a form of elaborate emoticons for expressing feelings and opinions -- really take off in the United States? Mr. Tabata knows there are questions about that, "especially for mature adults, for mature males, because some people think using stickers could be regarded as a very childish behavior. But we don't think so," he said.


Learn more 
And though there may be "some cultural or psychological barriers, we think in the United States we also see a huge potential," he said.
How Line Makes Money
"Line is WhatsApp on steroids," said Thomas Crampton, global managing director of Social@Ogilvy, which recently co-hosted Mr. Tabata at the Social Matters conference in Singapore. "It has more functionality, more engagement, more passionate usage and a faster speed of development of the platform than WhatsApp."
Line has gained users fast since it was launched in 2011 by a Japanese subsidiary of South Korea's Naver Corp. It prides itself on hitting the 100 million user mark in 19 months, compared to 54 for Facebook and 49 for Twitter. In Asia, its user base is young and skews female.
Free to download, Line has a three-pronged revenue model: It gets money from games, from sticker purchases and from official accounts, including branded stickers. (Mr. Crampton said he believes Line's games are more of a motivator for many users than stickers.)
In the first quarter of 2014, Line made $143 million, up 223% from the year-earlier quarter. Its monetization efforts are focused on Asia for now.
"Of course in the long run we think North America or Europe or Latin America or Africa could be main battlefields in terms of marketing," Mr. Tabata said.
How Brands Use It in Asia
Brands can borrow Line's signature cute characters for sticker campaigns.
Brands can borrow Line's signature cute characters for sticker campaigns.
Companies that open official accounts on Line have to pay an up-front fee, unlike on Facebook, though the company argues the cost per fan is lower in the end.
For brands, coupons are big. Lawson, the convenience store chain, sent 10 million brand fans coupons in Japan, and 5% of recipients redeemed them.
Mr. Tabata says Line is much more effective than email marketing, which "is going to die," with its demise hastened by the Gmail feature that shunts promotional emails into a separate folder.
For brands, the company argues, a presence on Line is one way to fill the huge gap between consumers' time spent on mobile and the lagging ad spend there.
Branded stickers are another brand-building outlet. Some are free for downloading, while others -- like the Pepsi teddy bear sticker mentioned above -- are only available to people who purchase the product.
Line has been experimenting with e-commerce flash sales. In the near future, it will create new m-commerce possibilities by opening Line's official accounts API to corporate clients for customization.
So for example, people might be able to use their location to hail a cab. Or they might order takeout by sending a pizza sticker to a restaurant account.

3 THINGS BRANDS AND AGENCIES SHOULD KNOW FROM APPLE'S WWDC 2014


3 THINGS BRANDS AND AGENCIES SHOULD KNOW FROM APPLE'S WWDC 2014




Dan LaCivita from digital agency Firstborn picks three highlights from Apple's WWDC relevant to brands and digitally inclined creative companies.
OS X Weed and a live phone call with Dr. Dre? No, Apple isn’t supporting the second coming of The Chronic, the debut solo album of the rapper and co-founder of Apple-acquired Beats Electronics. Rather, these are just a few of the buzzed-about happenings from Monday’s keynote address at Apple’s 2014 Worldwide Developer Conference. The two-hour live streamed presentation was big on exciting offerings for software developers (the guests of honor), but it didn’t produce any new iPhones, iPads, iWatches, or Apple TVs--so perhaps the average consumer may feel a bit underwhelmed by what went down. However, if you’re a brand or marketer with digitally driven interests (that is, any brand or marketer), or you’re a creative shop or marketing firm that teams up with these companies, here are three themes that deserve a second (and third look).
Dan LaCivita

1. YOU HAVE A NEW LEASE ON INTERACTION WITH YOUR MOBILE APP USERS

The lowly push notification--the pop-up window or banner alert that apps use to interact with users outside of the app itself--has long been a source of frustration for Apple consumers because of its intrusive and incessant nature. Good news: iOS 8, Apple’s latest OS iteration, will offer the opportunity for apps to connect in more thoughtful ways.
For starters, banner alerts that appear at the top of an iPhone or iPad when in use now have the ability to be “actionable notifications," allowing a user to complete small tasks or get app benefits without actually launching the app. A Facebook friend mentions you in a post? You can “like” it within the notification, without ever having to launch the Facebook app. And brands can get in on the game, too. If the balance is getting low on a user’s Starbucks app, a single tap within the notification banner could add $20 without switching from that email they were in the middle of writing.
Interactive notifications let you stay focused while you stay in touch.
Also new to both iOS 8 and the OS X Yosemite (the new desktop OS X), is the ability for third-party app makers to develop widgets that will appear in the Notification Center. Developers can now offer users the ability to interact with a small, timely part of their apps--say, the latest sports scores or nearby store locations--as part of otherwise mainstream interactions with their Apple device. Engaged in an eBay auction? You can get auction alerts and up your bid within the Notification Center. Love shopping at J.Crew? The Notification Center could potentially show off the latest on-sale items, piquing your interest and sparking a stop at the store. With app usage drop-off rates a constant concern for marketers, this is just another way to offer additional utility and nudge users to come back to your main app offering.
Lastly, Apple is finally offering “extensibility”--the ability for third-party iOS apps to offer service to other apps. Without getting too technical, apps are currently housed in their own isolated sandboxes with no way to communicate with other apps on a user’s device. With iOS 8, developers can create extensions that allow an app to offer new features or services to other apps. For example, after taking a photo, a simple tap of this new feature can open a style sheet that lets a user choose from all of her photo filter apps--all without leaving the iOS native Photo app. So, building your app with native iOS or other apps in mind can be a huge boost to usability.

2. APPLE’S APP STORE SHOULD NOW BE A PART OF YOUR MARKETING PLAN

With over 1.2 million apps available in Apple’s App Store, it can be difficult to stand apart from the crowd. Apple is sympathetic to its own success, and has rolled out new ways for app creators to market their offerings to the 300 million store visitors each week.
First up is the ability to offer video demos of an app within its store page. Previously, app creators have relied on a set number of preview images or microsite-hosted demos in order to give users a compelling reason to download the app. This new feature brings the two together--and with a highly compelling demo video, that could make all the difference in downloads.
Also boosting interest is a new app-bundling feature. If you have created several apps with the same topic or user base, you now have the option to group them together and offer promotional pricing. If you’re a brand that just released a new gaming app but don’t want anyone to forget about the other separate but great apps that came before it, then extend the shelf life of all your apps and bundle them together for user convenience, utility, and savings.
Another seemingly small offering with much larger implications is Apple’s free offering of TestFlight, a public beta testing service. TestFlight, acquired by Apple earlier this year, offers developers the ability to open their apps up to early adopters to get feedback on bugs and user experiences. While user testing is a non-negotiable best practice for app development, this free service will open up another avenue for getting the best possible product to the people.
Health. An entirely new way to use your health and fitness information.

3. YOUR APPS ARE TWO STEPS CLOSER TO INTEGRATING WITH EVERYDAY LIFE THROUGH HOME AND HEALTH

Two of the biggest software rumors going into WWDC turned out to be a reality: the introduction of home automation and health data collection to your Apple devices. Developers will have access to a software platform that will enable them to integrate their own “smart home” technology products and services into iOS functionality. Lights can be turned on and doors can be locked through Siri and entire action sets can be commanded at once (“Leave for work” means turn off the lights, lock the door, and open the garage).
Similarly, Apple’s Health offering is a one-stop shop for all of your curated health information--both from third-party hardware and other health apps. The hope is that the user will have all health information in one unified place but the individual apps will also be able to share data with one another and offer thoughtful interactions--a running route suggestion based on the amount of sleep you got last night, and so on.
Home and health technology companies should already have integration ideas logged on their conference room whiteboards, but the rest of us need to take a look at our business models and our target audiences to understand if there are opportunities to integrate within these two new functions in every Apple user’s wallet.
WWDC's attending software developers are headed home with developer kits in hand ready to start learning, testing, and creating in time for the fall 2014 release of both OS X Yosemite and iOS 8. In the meantime, you shouldbeta test Yosemite and get a meeting on your company’s calendar to create a strategy for your involvement with these three themes.

"Storytelling Is Changing": Why Gary Vaynerchuk Is Investing In Micro-Content

"Storytelling Is Changing": Why Gary Vaynerchuk Is Investing In Micro-Content

By  Kylie Jane Wakefield   |   May 30, 2014
In the late 1990s, he launched WineLibrary.com, an e-commerce site that sells wine made around the world to customers. Following the success of the site, which is now worth $45 million, he started Wine Library TV, a collection of short videos that features Vaynerchuk tasting and commenting on wines. He boasted 100,000 hits per day, and received hundreds of comments on the videos, which he put out until 2011.
Now, he runs VaynerMedia, a company that produces content and marketing campaigns for big brands. His impressive list of clients includes PepsiCo, Virgin Mobile USA, the New York Jets, General Electric, and Green Mountain Coffee. Vaynerchuk and his 250-person team have recently shifted their focus to micro-content on social media platforms, as well Vine videos, to spread their clients’ branding messages.
In a June 2013 interview with Forbes.com, Vaynerchuk stressed the importance of distributing content on social media sites. “You produce content for Vine, Medium, SoundCloud, Instagram, Tumblr, and Pinterest. If you can’t, you pick the things that make the most sense," Vaynerchuk said. "In the old world, that was predicated on money, but now it’s predicated on time…You have to create a strategy based on your audience and what you’re trying to achieve.”

VaynerMedia’s Foray Into Micro-Content

Micro-content comes in the form of status updates, short videos, photos, and hashtags. Unlike long form blog posts, white papers, or in-depth videos, it can be easily digested on the platforms that consumers - especially young ones - are already utilizing.
Last year, VaynerMedia created “Save Your Token,” a voting system on Facebook where consumers could choose their favorite Monopoly pieces to save and vote on a new piece. The campaign made Yahoo’s list of most searched stories of the week, was mentioned on The Today Show and Saturday Night Live, and garnered participation from over 20 brands.
Dove joined forces with VaynerMedia’s micro-content branch in February to promote its products on Instagram. The company sent 1,193 handwritten notes to customers and posted the photos on Instagram with the hashtag #BeautyIs. It resulted in 7,130 impressions and over 181,000 regrams within Instagram.
Screenshot 2014-05-30 14.10.17.png
Vaynerchuk explained his investment in micro-content to TechCrunch’s Drew Olanoff earlier this year:

“Storytelling is changing, and unless brands know how to tell theirs in a quick, witty and purposeful way that is native to these new platforms, they will be left behind.”

Vine and GrapeStory

Vine is a micro-content creator’s dream: the six-second long videos can get brand messages across quickly and efficiently. In a mobile-first world, where people have short attention spans and endless amounts of content to choose from, watchable micro-content is increasingly important to brand strategy.
Last year, VaynerMedia saw potential in Vine and founded GrapeStory, a talent agency and Vine video production company that forms campaigns for brands on the platform.
The company teams up with Vine superstars like Brandon CalvilloDylan Blau, and Sunny Mabrey. These video bloggers have massive followings and use them to market GrapeStory’s clients. According to Rolling Stone, VaynerMedia is the biggest dot-com right now pursuing this kind of marketing.
“There are 40 people on Vine now who have never been ‘Internet famous,’ but in 40 days on Vine, they have 300,000 followers," Vaynerchuk told Forbes.com. "How is that not interesting? Struggling musicians, improv performers, regular actors – this is going to be their break.”
GrapeStory launched a Virgin Mobile USA campaign called “Happy Accidents” last summer. It encouraged users to send in videos that demonstrated what happens when you’re obsessed with your cell phone. It resulted in more than 358,000 impressions and a follower growth of 5,900 percent.

In the fall of 2013, GrapeStory put out a Flavorsplash campaign for Aquafina on Vine. It included a hashtag, #MyColorSplash, and asked its followers to join the teams of five Vine video creators. The campaign solidified Aquafina as the third most popular beverage on Vine and increased the brand’s following by 107,777 percent.

Focus On Storytelling

Digital and content marketers everywhere can learn from Vaynerchuk’s success by paying attention to his brand's focus on storytelling and audience engagement. He sees where consumers live, where they’re headed, and how to connect with them. He knows that it’s all about stories, and doing whatever you can to get those stories out there and in front of an audience.
In his book “Jab, Jab, Right Hook,” released last year, he wrote that storytelling, his bread and butter, is the core of brand marketing, and what makes companies increase their bottom line.

“Great marketing," he writes, "is all about telling your story in such a way that it compels people to buy what you are selling.”

Unilever’s edge is global, green and digital

Unilever’s edge is global, green and digital
Dickie Martin, the CPG co's new VP marketing, brings worldly knowledge to the Canadian market.

 Tanya Kostiw 24 hours ago


Who would’ve thought a simple observation like where a woman keeps her deodorant could help lead to a better understanding of consumers and how to reach them? But such was the case while in Russia, for Unilever Canada’s new VP marketing, Dickie Martin, who has led key brands at the company across global markets, including the Middle East and Africa.

Now settling into his new role, he plans to further the CPG co’s sustainability efforts and embrace the inherently rapid nature of the fast-moving consumer goods category. Martin also shares some insights with strategy about the art of digital marketing and how adapting and adopting can sometimes trump a plug-and-play model or reinventing the wheel.

What areas do you want to focus on in Canada?

Marketing [at Unilever] is going in a great direction, so my first order of day is to keep the fire burning. But then there are the areas that I’m particularly passionate about. One is digital marketing. It’s an area where there are so many moving pieces, and it’s very difficult to co-ordinate the pieces, the right level of investment, the messaging. Getting those moving parts to fit together is an art, really. At Unilever, we are really cutting-edge in digital marketing. [Look at] all the work Dove has done around the world, in Canada, especially.

But there’s always space to do better. Our category is called fast-moving consumer goods, and we have to be fast. We have to continuously push to deliver better value for the people in Canada so they continue to choose us and love our brands.

Another area [I'm passionate about] is partnerships (with events or spokespeople, for example), which are a way of connecting passion points that are important to Canadians. For example, Degree teamed up with [Montreal Canadiens player] P.K. Subban and the TV program The Next Level which talks about how high-profile athletes constantly push themselves to take their performance to the next level. It’s a great fit with what the brand is all about and a perfect way of connecting with our audience, which is made up of “doers.” High performance athletes are the ultimate “doers.”

I’m also passionate about taking the Unilever Sustainable Living Plan (USLP) [the company's sustainable growth plan] further. There’s a lot of great work that’s already happening and I’m excited when I look at what’s coming in the next 12 to 18 months. Canadians, it’s been my observation, are very passionate about their environment, so I think they will find a lot of affinity in the things that we’re bringing and will be bringing to them. On USLP, we have a very strong innovation program that will be driving this area and will be highly attractive to Canadians, [but I] can’t disclose more.

How does your experience working in global markets influence your approach to marketing?

Marketing is about working with people and working for people, on different levels. On one level, the experience of going to different environments around the world forces you to find the commonalities and the patterns so you can find repeatable models across different environments.

Immersing yourself in a new environment forces you to look at the fundamentals and to be very strategic.
It also allows you to question a lot of things other people would take for granted. So a fresh look often helps solve big problems.

Every time I travel to a country, I do what we call “Consumer Connects” – you go into somebody’s house and try to get to know them a bit more, find out what motivates them and just learn from them. You’re a foreigner coming to a new country, and you just ask them questions like, “Tell me what it’s like living here.” In our jobs it’s very easy to find the differences between people, but it’s important to know what to do with them.

“Consumer Connects” has been fundamental to our business. For example, when I arrived to work in Russia, our issue was that people were using deodorants only on special occasions. This became obvious to me when I found the deodorant in the living room or bedroom, next to the fine fragrances, when normally you would find it in the bathroom. This became a pivotal moment in our program to drive usage.

Within four months of arriving to the region, I had developed a new campaign to drive Rexona (Degree in North America, and the number one brand in the world) which focused on beauty. [The "Tattoo" campaign comprised two executions, including one with Russian pop singer Zhanna Friske]. It was a massive success. This was a very delicate issue so it had to be bold, but respectful. We included bathroom application shots in all our advertising and eventually grew the market by 50% in three years.

What are some other programs you worked on, and what insights did you gain from those experiences?

Adapt and adopt. Search for best practices from other markets and adapt to yours, as opposed to the extremes of “plugging and playing” global models or trying to reinvent the wheel. This is how we launched Axe in Russia, Turkey and the Middle East. We took classic Axe ads that were used years before in Europe, reshot them to make them current and they were a huge hit. It was tempting to shoot something completely new, but we resisted that temptation and achieved market leadership by using the best work available. We got our chance to create something new later when we developed an Axe ad called “Destiny” that won a Bronze Lion in Cannes.

Know your consumer. They are your real boss. This is how we launched Dove Advanced Care Anti-Perspirant in the U.S. in 2014 [with a spot featuring women reading a letter to their armpits.] In a challenging environment, we avoided discounts and innovated through premium products, raising the bar.

What would you say are the biggest issues or challenges that are facing the CPG space today?

There are a lot of opportunities in the CPG space, but a challenge affecting the industry, and all industries, is the VUCA world – the volatile, uncertain, complex and ambiguous world – which is essentially the new normal we live in today. And that’s a big challenge, but that goes back to the category name – fast-moving consumer goods require fast-moving people and companies who are very flexible and can very quickly understand what people want and what people need, and produce it for them.

How does your company plan to stand out against other CPG giants like P&G and Kraft?

We’re very focused on people and what Canadians want because what’s really important for them is what a company and brands can do for them. The Sustainable Living Plan is an amazing fit with Canadians because they are extremely passionate about their environment and making the right choices.

There has been so much work on the sustainability front. For example, all our products manufactured in North America are made using renewable (green) electricity and all of our facilities are zero landfill. This means that nothing goes into dumps, absolutely everything is recycled.

Our objective is to make sustainable business commonplace. For example, we’re on a great path with Knorr: 100% of the tomatoes we used in 2013 were sourced sustainably. Not only is it good for the land but sustainable tomatoes also have more flavour because they are not watered just before the harvest so the flavour concentrates. This results in better tasting Knorr products.

Our work in the health and well-being areas are also part of USLP. Two of my favourites are Becel, which is promoting healthy living by supporting the Becel Heart & Stroke Ride for Heart, 21 years in a row, and another is the “Dove Campaign for Real Beauty” that imagines a world where beauty is a source of confidence, not anxiety. The discussion this generates is fantastic.

All these programs make us more competitive because they are about things that matter for Canadians and are very hard to replicate by other companies.

We have, I think, very powerful innovations that we bring continuously and where we have been extremely successful, especially in the last five, six years. For instance, Hellmann’s is one of the few real mayonnaises out there. The Hellmann’s Real Food Movement has brought light to how important eating well is, and how critical a good diet is to well-being.

I think the Real Food Movement and “Dove Campaign for Real Beauty” are great examples of innovation. Innovation doesn’t always have to be a product; innovation can be also ideas and creating purpose.



Read more: http://strategyonline.ca/2014/06/02/unilevers-edge-is-global-green-and-digital/#ixzz33aEe2aC0